In the second film, the people of New Orleans had created an actual altar in the attic of the Sullivan mansion, the shrine having skulls, candles and a large wall painting depicting Candyman in a crucifix stance. Also, during the events of the first film, the Cabrini Green's African-American community created a make-shift pyre which they set ablaze, an obvious ritual used to appease the spirit. the residents of Cabrini Green and New Orleans, have a habit of participating in offerings to the vengeful apparition.ĭuring the first film, a run-down apartment flat houses a sort of altar in Candyman's name a pile of chocolate sweets with razor blades inside their packages is placed in front of a large graffiti mural depicting Candyman's screaming head.
#CANDYMAN KILLER VICTIMS MOVIE#
Furthermore, Candyman does not kill his believers if they abandon their faith in him instead, he chooses to murder the people who have called him out as being superstition (such as Helen Lyle, who in the first Candyman movie told a young boy from Cabrini Green that "Candyman" had merely been an alias used by serial killers in order for them to get away with their crimes). He refers to the denizens of his burial grounds as his "followers" and "congregation". Candyman takes his role as a god to quite literal religious lengths. He implies self-omnipresence by identifying himself with the rumors and imagery based around his name and likeness, further claiming that without such things he is "nothing", making it clear that he enjoys hearing people talk about him. His sole motivation is to keep the rumors and stories surrounding his death alive, as he believes that the longer people talk and fear him, the more he will continue to haunt the land - which is later shown to be true.Ĭandyman is also shown to possess a severe god complex. Candyman, while well-spoken and articulate, is portrayed as being incredibly self-absorbed, narcissistic and vain, valuing his reputation over human life. But, rather than render the land of Cabrini Green, or the Sullivan household (depending on which movie we follow) uninhabited, Candyman preferred to keep the denizens in the dark, unaware of his existence until they made the mistake of summoning him. His hair is jet-black and curly, but kept very short.īecause of the unjust tragedy surrounding his death, having been murdered under false pretenses as an act of revenge, Candyman arose from the grave and became a wrath-driven specter, haunting the land where he had been executed. Underneath it is his skinless ribcage and hollowed-out abdomen, which forms a hive infested with live honey bees. His trenchcoat is used to conceal his grotesque mutilations - the product of the torture that he suffered shortly before his death. His attire consists of a large, brown fur trenchcoat, a white cravat around his neck, gray pants, a pair of polished leather shoes, and a bloody hook in place of his right hand, which he uses to mutilate his victims. The Candyman is usually portrayed as a lean, tall, African-American man, six feet and five inches, usually towering over the other characters in the Candyman movies.